Multicam Editing in Final Cut Pro 10.6 By RippleTraining

RippleTraining – Multicam Editing in Final Cut Pro 10.6

Organize & Sync Angle with Metadata
Edit & Grade a 5-Angle Wedding
Mix & Edit a Multitrack Music Video
Color Correct & Shot Match Cameras
Edit with Virtual Angles

Who this Tutorial is for:

Multicam Editing in Final Cut Pro was designed for users who want to edit and deliver projects that utilize footage that was recorded with multiple cameras. As an intermediate level tutorial, it assumes basic familiarity with Final Cut Pro’s user interface. Users who are new to Final Cut Pro should purchase Final Cut Pro Core Training before working through this tutorial.

Software Version: Final Cut Pro 10.6 or later.

Run Time: 2 hours 30 minutes

Type of Tutorial: Beginner

Project Media: Project media is included.

Multicam Editing in Final Cut Pro 10.6

1. Introduction to Multicam Editing

Introduction

2. Working in the Angle Editor

Introduction
Create a New Library & Event
Creating a Multicam Clip
Working in the Angle Editor
Checking & Fixing Sync
Syncing an Angle to the Monitoring Angle
Changing the Angle Name & Order

3. Working in the Angle Viewer

Introduction
Working in the Angle Viewer
Balancing Performance & Disk Storage
Enabling Video and Audio-only Switching

4. Editing a Wedding Ceremony

Creating a Project
Timeline vs. Browser Multicam Clips
Editing the Multicam Clip
Switching vs. Cutting
Making the First Cut
Cutting by Numbers

5. Fine Tuning the Edit

Introduction
Swapping Angles
Changing the Editing Timing
Editing Sans Angle Viewer
Stabilizing an Angle

6. Color Correcting Multicam Clips

Introduction
Color Board Corrections
Using the Comparison Viewer
Saving a Reference Frame
Auto Color Balancing
Color Matching with Scopes
Color Matching
Retiming an Angle

7. Angle Assembly & Sync Options

Introduction
Creating a Custom Column Layout
Automatic vs Custom Settings
Understanding Angle Assembly
Assigning Clip Metadata
Camera Angle Assembly
Camera Name Assembly
Adding Sync Markers
Angle Synchronization Options
Audio Synchronization – Yes or No?

8. Timecode & Angle Clip Ordering

Introduction
Sync with Markers
Sync with Timecode
All Timecode is Not Created Equal
Verifying Timecode with Smart Slate
Angle Clip Ordering
Angle Clip Ordering Options
Consolidating Angles
Metadata & Angle Clip Ordering

9. Working with Audio Only Angles

Introduction
Hardware Setup
Adding Audio Angle Metadata
Assigning Audio Roles
Creating the Multicam Clip

10. Mixing a Music Performance

Introduction
Mono vs. Stereo
Adjusting Level & Pan
Compressing the Vocals
Splitting & Disabling Angles

11. Editing a Music Performance

Creating a Project
Enabling Audio Roles
Enabling Audio Roles in the Inspector
Enabling Audio Roles in the Angle Viewer
Performing the Edit
The Final Mixdown

12. Multicam Split Screen Editing

Introduction
Transcoding to ProRes Proxy
The Production Breakdown
Create a Snapshot Project
Creating the Quad Split
FCPâ€™s Coordinate System
Placing the Angles in a Grid
Saving an Effect Preset
Creating the Quad-Split Angle

13. Fixing Production Mistakes

Introduction
UHD in an HD Multicam Clip
Make Angle Corrections
Create an Angle Copy
Scale and Position the Angle
Faking Sync
Selling the Shot

Edit a Wedding Ceremony

You’ll begin the tutorial by editing a wedding ceremony that was recorded with 6 cameras. During the process you’ll learn how to address sync issues in the Angle Editor and set up your multicam clips for seamless cutting between your video and audio source clips using the Angle Viewer. You’ll also learn essential keyboard shortcuts that will save you time – including how to make fast timing changes to improve the story pacing.

Edit a Multitrack Music Video

Steve will have you editing a 3-camera music performance that includes audio from a multitrack recorder. You’ll organize these tracks into roles before creating a balanced mix using Final Cut Pro’s stereo panning options, and a few compressors to enhance the vocals. You’ll then learn how to assign the mixed angles, perform the edit, then work with audio components to create the final mixdown.

Get That Syncing Feeling

In lessons 7 and 8, you’ll be presented with every option for syncing your footage – whether you shoot with iPhones for delivery to TikTok, or with professional cinema cameras that record industry-standard timecode. Along the way, you’ll learn how to add metadata to your camera angles to make the syncing process more efficient.

Fix Production Mistakes

With multicam productions, potential problems are multiplied by the number of cameras and people involved. Steve will show you some of his best editing work-arounds for salvaging a project when one of the cameras did not record because of mechanical or human error.

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